Large sporting events broadcasts often use multiple mono microphones to help capture the action. Integrating these mono sources together with the main program to provide a mix that keeps the center-channel dialog intelligible and enveloping to the listener is a challenge.,
DTS Mono2Stereo gives the mixer complete control over how mono elements are positioned in the final stereo or 5.1 mix. Mono2Stereo protects mono sound effects from competing with mono announcers’ voices, and allows the mixer to move these sound effects away from the center channel in surround mixes.
By assigning multiple Mono2Stereo instances on sub-mixes or individual sources, audio elements can be spatially separated to preserve intelligibility and create an enveloping image, nearly indistinguishable from native stereo content. (necessary paragraph)
DTS Neural Mono2Stereo Key Features Include:
A natural sounding, adjustable stereo soundstage from any mono content
Synthesized stereo that is nearly indistinguishable from native stereo content
Effectively moves mono effects away from announcers’ voices
High and low frequency range adjustments to fine tune individual mics or groups of mics
Frequency dependent widening adjustment to enable precise control over soundfield “shape” (adjustable crossover point from 3khz down)
Full phase compatibility with mono, stereo, and surround formats
